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Saturday, September 24, 2022

John Cena breaks Make-A-Wish record after granting 650 wishes - CNN

CNN  — 

Actor, wrestling legend, and perpetual meme subject John Cena has completed a new accomplishment: breaking the world record for most wishes granted through the Make-A-Wish Foundation.

Cena has granted 650, according to a news release from the nonprofit organization, which helps fulfill the desires of children with critical illnesses.

The athlete-turned-actor started his career as a professional wrestler in 1999 and over time became known as one of the most successful performers in big-time wrestling ever. He has won the WWE Championship a record 13 times.

Cena has a longstanding relationship with the foundation. He granted his first wish two decades ago in 2002, says the release.

And in 2012, he gave the foundation’s 1,000th request to a fan named Cardon.

Cena is the celebrity children most often request to meet, says the release.

He often brings one of his championship belts when he meets the kids, who have a chance to take photos with him.

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Box Office: ‘Don’t Worry Darling’ Opening to Solid $21M Despite Offscreen Controversies - Hollywood Reporter

Warner Bros.’ high-profile drama Don’t Worry Darling is headed for a solid $21 million opening at the domestic box office after grossing more than $9.4 million Friday from 4,113 theaters, including $3.1 million in Thursday previews and special Imax screenings on Monday.

Directed by Olivia Wilde, Don’t Worry Darling was the most-talked-about entry at the Venice Film Festival, as it faced a number of controversies, including rumors of acrimony between Wilde and lead actress Florence Pugh. On Friday, Pugh shared a heartfelt message on Instagram praising the cast and crew with photos, including one with Wilde.

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Don’t Worry Darling received a mediocre B- CinemaScore (Wilde’s last film, Booksmart, earned a B+). The B- could ding word-of-mouth. Ditto for tepid reviews. Wilde’s sophomore directing effort presently has a 35 percent critics’ score on Rotten Tomatoes, dimming its awards chances and making it more difficult to attract older adults who are known for relying on reviews when deciding whether to make a trip to the cinema.

Tracking and Warner Bros. had projected a $17 million opening weekend. But based on advance ticket sales, exhibitors believed the film would fall between $20 million and $24 million (some think even higher). The movie cost a relatively modest $35 million to make, so it appears to be on the road to breaking even.

Analysts believe the movie’s biggest asset in terms of its box office performance is the legions of younger females devoted to Harry Styles, who stars opposite Pugh and Chris Pine in Wilde’s high-concept psychological thriller about a young couple residing in an idyllic, cult-like community.

They appear to be right. Females made up a massive 73 percent of Friday’s audience, while 67 percent of ticket buyers were between the ages of 18 and 34.

Hollywood insiders aren’t convinced that the general moviegoing public cares about the offscreen drama. If anything, the publicity increases awareness.

Don’t Worry Darling goes against the second weekend of The Woman King and the rerelease of Avatar, the top-earning film of all time.

From Sony and eOne, Woman King should place second with $10 million to $10.8 million, a good hold. The film earned $3 million on Friday from 3,765 cinemas.

The Avatar rerelease is expected to earn $9 million or more for the weekend after earning $3.3 million Friday from 1,860 theaters. Overseas, it started off with a hearty $11 million. To this day, the movie is the top-earning film of all time with more than $2.84 billion in ticket sales.

Director James Cameron and his producing partner Jon Landau are in the midst of prepping for the December release of the sequel Avatar: The Way of Water. Returning the original movie to cinemas is just one component of a sprawling marketing campaign that’s being orchestrated by Disney and 20th Century Studios.

Sept. 24, 8:15 a.m. Updated with additional details about Friday ticket sales and total weekend projections.

Sept. 23, 6:40 p.m. Updated to include a link to Pugh’s Instagram post promoting the film.

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Kim Kardashian Introduces Dolce & Gabbana Collaboration at Fashion Show as Family Cheers Her on - E! NEWS

With her family supporting her from the front row, Kim Kardashian took center stage at Dolce & Gabbana's Milan Fashion Week show.

On Sept. 23, she appeared on the runway with Stefano Gabbana and Domenico Dolce during the finale of the event after they debuted a new spring-summer 2023 collection, a collaboration with the reality star. Kim wore a sleeveless gown covered in black Swarovski crystals in different dimensions to achieve a three dimensional texture, and her platinum blond hair styled in an updo.

Kim's eldest three children North West, 9, Saint West, 6, and Chicago West, 4, plus mom Kris Jenner and sister Khloe Kardashian cheered her on from the front row.

"The most incredible show in Milan today!!" Kris wrote on Instagram. "@kimkardashian @dolcegabbana, perfection as always! So proud of you @kimkardashian!!! #MilanFashionWeek #CiaoKim #DolceandGabbana"

The show opened to the sounds of camera clicks, light flashes and screams of "We love you Kim!" ELLE reported. The show's models wore mostly black, white and silver looks with signature lace, crystal and leopard print embellishments as a black and white video of Kim eating spaghetti played in the background, the magazine said.

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Friday, September 23, 2022

Louise Fletcher, the Cruel Nurse Ratched in ‘One Flew Over the Cuckoo’s Nest,’ Dies at 88 - Hollywood Reporter

Louise Fletcher, the sweet actress from Alabama who won an Academy Award for her turn as the heartless Nurse Ratched — one of the most reviled characters in movie history — in One Flew Over the Cuckoo’s Nest, has died. She was 88. 

Fletcher died Friday of natural causes at her home in Montdurausse, France, her son Andrew Bick told The Hollywood Reporter. She had survived two bouts with breast cancer.

A daughter of deaf parents — she made one of the most touching acceptance speeches in Oscar history — Fletcher also starred as a psychiatrist in Exorcist II: The Heretic (1977) and played opposite Peter Falk amid the star-studded ensemble in The Cheap Detective (1978).

On television, she portrayed the religious leader Kai Winn Adami on Star Trek: Deep Space Nine and received Emmy nominations in 1996 and 2004 for her guest-starring stints on Picket Fences and Joan of Arcadia, respectively.

She more recently played William H. Macy’s meth-dealing mother on Shameless and appeared in the Liev Schreiber film A Perfect Man (2013) and on the Netflix series Girlboss, starring Britt Robertson.

After spending more than a decade away from show business to raise her two sons, Fletcher returned to Hollywood and appeared opposite Keith Carradine and Shelley Duvall in the Robert Altman film Thieves Like Us (1974).

Director Milos Forman, then casting 1975’s One Flew Over the Cuckoo’s Nest — based on Ken Kesey’s 1962 book about life in an Oregon psychiatric hospital — spotted her in that movie.

“He was watching it to look at Shelley Duvall to play one of the girls who comes on the ward on the party night, and there I was,” Fletcher recalled in a 2016 interview. “He said, ‘Who is that?’ “

A year later, after Anne Bancroft, Angela Lansbury, Geraldine Page, Colleen Dewhurst and Ellen Burstyn all rejected the chance to play Nurse Ratched — many believing that the character was too impossibly wicked — Forman finally gave Fletcher the part.

“I tried out for it many, many times,” she said. “I didn’t realize that lots of other women were turning it down. They offered it to many movie stars who declined, luckily for me. To think, what if somebody else had said yes?”

In the film, the icy Ratched humiliates her patients and revokes their privileges on a whim. When she can’t control a new arrival, Randle McMurphy (Jack Nicholson), she administers shock therapy on him, then has him lobotomized.

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Fletcher knew her life had changed forever when she watched Cuckoo’s Nest with an audience for the first time and saw how people reacted to a scene in which McMurphy tries to kill her character.

“It was in Chicago, and it was a packed house,” she recalled. “When he strangles her, the audience stood up and yelled and cheered. Stood up. It was unbelievable. I was thrilled.”

On its 2003 list of the 100 greatest villains in the annals of motion pictures, the American Film Institute placed Nurse Ratched at No. 5, behind only Hannibal Lecter, Norman Bates, Darth Vader and the Wicked Witch of the West. (Sarah Paulson recently revived the character in a Ryan Murphy prequel series for Netflix.)

After Fletcher heard her name called by presenter Charles Bronson and came to the stage at the Dorothy Chandler Pavilion to accept her Oscar, she said: “Well, it looks like you all hated me so much that you’ve given me this award for it, and I’m loving every minute of it. And all I can say is, I’ve loved being hated by you.”

She then paid tribute to her parents: “And if you’ll excuse me [using sign language]: for my mother and my father, I want to say thank you for teaching me to have a dream. You are seeing my dream come true.”

The second of four children, she was born on July 22, 1934, in Birmingham, Alabama, to an Episcopal minister, Rev. Robert C. Fletcher, and his wife, Estelle. They had both lost their hearing when they were children, he when he was struck by lightning, she to illness.

”If I fell down and hurt myself, I never cried,” Fletcher told The New York Times in 1975. “There was no one to hear me.”

She was extremely shy, and her parents sent her to an aunt in Texas, where she lived for parts of several years before attending Ramsay High School in Birmingham and then graduating from the University of North Carolina in 1957.

She took a trip to Los Angeles with friends and decided to stay, working as a receptionist while taking acting classes at night with the acclaimed teacher Jeff Corey. (Robert Blake was a fellow student.)

After getting steady work on such television shows as Bat Masterson, Lawman, 77 Sunset Strip, Wagon Train and Perry Mason, the 5-foot-10 actress made her big-screen debut in the war film A Gathering of Eagles (1963), starring Rock Hudson.

She had son John in 1961, and while pregnant with Andrew a year later, she decided to step away from the business. She was married to Jerry Bick, a literary agent who would produce such films as Altman’s The Long Goodbye (1973) and Thieves Like Us.

Fletcher said she did not want to appear in Thieves Like Us because of her husband’s involvement, but Altman insisted.

To prepare for her role in Cuckoo’s Nest, Fletcher observed group therapy sessions at Oregon State Hospital in Salem, where the movie was shot. She spent 11 weeks at the facility during the making of the film.

In her New York Times interview, she described Mildred Ratched: “She was so out of touch with her feelings that she had no joy in her life and no concept of the fact that she could be wrong. She delivered her care of her insane patients in a killing manner, but she was convinced she was right.”

Pauline Kael of The New Yorker called her performance “masterful,” and the film also won Oscars for best director, picture, actor and screenplay, a sweep matched only by It Happened One Night (1934) and The Silence of the Lambs (1991).

Fletcher never approached such acting greatness again.

The role of Linnea, the gospel-singing mother of two deaf children in Nashville (1975), was created with her in mind, but she and her husband had a falling-out with Altman, and Lily Tomlin got the part (and an eventual supporting actress Oscar nom).

Fletcher did appear in other movies including The Lady in Red (1979), Brainstorm (1983), Firestarter (1984), Invaders From Mars (1986), Flowers in the Attic (1987), Two Moon Junction (1988), Blue Steel (1989), The Player (1992) — back in good graces with Altman — Virtuosity (1995), High School High (1996), Mulholland Falls (1996), Cruel Intentions (1999) and A Map of the World (1999).

After she and Bick divorced, she made tabloid headlines by being romantically involved with the much-younger Morgan Mason. (The son of British actor James Mason, he went on to marry singer Belinda Carlisle.)

In addition to her sons, survivors include her sister, Roberta.

Forever known for playing Nurse Ratched, Fletcher noted in 2012 that she could no longer bear to watch herself in Cuckoo’s Nest. “I was really shocked in those scenes where I was actually so cruel,” she said.

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Constance Wu: I Was Sexually Harassed by a ‘Fresh Off the Boat’ Production Member for Years - IndieWire

Constance Wu revealed in her memoir “Making a Scene” that a “Fresh Off the Boat” production team member sexually harassed her for years.

Wu, who only uses the production member’s initial, alleged that he controlled her, demanded she ask for approval for all her business ventures, and told her what to wear. Wu claimed she at first viewed him as a friend and mentor, but she then became fearful about what would happen if she didn’t oblige.

“‘Fresh Off the Boat’ was my first-ever TV show. I was thrown into this world,” Wu told The New York Times. “I don’t have parents in the industry. And because I was 30, people thought I knew what I was doing. It made me paranoid and embarrassed.”

In 2015, the production team member touched Wu’s thigh at a sporting event and later grazed her crotch area. A later argument during Season 2 of “Fresh Off the Boat,” which ran from 2015 to 2020, led to Wu cutting ties with the production team member in question; the argument was over whether or not she would accompany him to a film festival. ABC declined to comment on the allegations.

In 2019, Wu tweeted, “Fucking hell” and “So upset right now that I’m literally crying. Ugh. Fuck.” after the ABC sitcom was renewed for a sixth season. Wu later clarified, “Todays tweets were on the heels of rough day&were ill timed w/the news of the show. Plz know, Im so grateful for FOTB renewal. I love the cast&crew. Im proud to be a part of it. For all the fans support, thank u & for all who support my casual use of the word fuck-thank u too.”

Wu’s self-proclaimed “careless tweets” were met with backlash, leading Wu to attempt suicide.

Now, the “Crazy Rich Asians” actress reflected to NYT about her “Fresh Off the Boat” journey.

“I had a public image that was not very much like myself. I’m not really that wholesome of a person,” Wu said. “I try not to make myself out to be a hero. I try to make myself out to be a pretty normal person who has flaws like everybody else. I’m not really into the actor memoir where it’s like, ‘I overcame the odds, and I’m this person who was humble and just kept working. I was the victim.’ It’s less black and white than simply victim and perpetrator.”

Wu addressed racism in Hollywood, as well as being told she was a “disgrace to Asian Americans” and a “blight” on the community.

“Whenever I didn’t get a part, I never thought it was because I was Asian, I always thought it was because I was not pretty enough or not talented enough,” Wu said. “Now that I’m in Hollywood, I don’t think that’s the case. I see how the machine works. I think those casting decisions have more to do with public perception, social media numbers. But I think race plays into all of it.”

Wu continued, “It was almost gleeful. It was almost like they couldn’t wait to tear me down. I think the Asian community in Hollywood is still hyper-focused on positive representation, which to me is an illusion. Whole, human representation is more complex. And I think it’s interesting to me how, at that time, when I most could have used their help, they were the people who shamed me.”

Wu currently stars in “The Terminal List” and the upcoming film “Lyle, Lyle Crocodile.” She also stars in “East Bay,” writer/director Daniel Yoon’s portrait of the son of Asian immigrants living in the Bay Area and undergoing a coming-of-age crisis. Wu is additionally set to reprise her role in “Crazy Rich Asians” for the slated sequel.

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Hilary Mantel, Prize-Winning Author of Historical Fiction, Dies at 70 - The New York Times

The two-time Booker Prize-winning author was known for “Wolf Hall” and two other novels based on the life of Thomas Cromwell.

Hilary Mantel, the British author of “Wolf Hall,” “Bring Up the Bodies” and “The Mirror and the Light,” her trilogy based on the life of Thomas Cromwell, died on Thursday at a hospital in Exeter, England. She was 70.

Her death, days after suffering a stroke on Monday, was confirmed by Bill Hamilton, her longtime literary agent. “She had so many great novels ahead of her,” Mr. Hamilton said. “It’s just an enormous loss to literature,” he added.

Ms. Mantel, the author of seventeen books, was one of Britain’s most decorated novelists. She had twice won the Booker Prize, the country’s prestigious literary award, for “Wolf Hall” and “Bring Up the Bodies,” both of which went on to sell millions of copies. In 2020, she was also longlisted for the same prize for “The Mirror and the Light.”

Parul Sehgal, a former book critic for The New York Times, wrote in a 2020 review of “The Mirror and the Light” that Ms. Mantel’s writing envelops the reader “in the sweep of a story rich with conquest, conspiracy and mazy human psychology.” Ms. Mantel was not just a writer of historical fiction, Ms. Sehgal said, but an expert in showing “what power reveals and conceals in human character.”

Ms. Mantel was born Hilary Mary Thompson on July 6, 1952, to Henry and Margaret Thompson in Glossop, a village in Derbyshire, and she grew up in a busy Irish Catholic family. Her mother, Margaret, was a school secretary, Ms. Mantel wrote in “Giving Up the Ghost,” her 2003 memoir. After her mother left her husband and moved the family in with Jack Mantel, an engineer, Ms. Mantel took her stepfather’s surname.

It was a tough childhood. “I was unsuited to being a child,” she wrote in her memoir. Ms. Mantel suffered health problems, leading a doctor to call her “Little Miss Neverwell,” becoming the first of many doctors to fail to properly treat Ms. Mantel, who lived with chronic pain during much of her life.

At 18, she moved to London to study law at the London School of Economics, but could not afford to finish her training. After marrying Gerald McEwen, a geologist, she became a teacher and started writing on the side.

In her 20s, she realized she was suffering from endometriosis, a condition where tissue similar to that lining the womb grows elsewhere. Around that time, a doctor ordered her to stop writing. Her response, described in her memoir, was typically forthright: “I said to myself, ‘If I think of another story, I will write it.’”

At 27, having had the endometriosis diagnosis confirmed, she had a surgery to remove her uterus and ovaries, although that did not stop the pain. The complications from her illness made a normal day job impossible, she said.

“It narrowed my options in life,” she said, “and it narrowed them to writing.”

The couple went to live in Botswana and Saudi Arabia, an experience Ms. Mantel later drew on in her novel “Eight Months on Ghazzah Street,” about a British woman living in Jeddah.

Henry Holt and Company, via Associated Press

She finished her first novel, “A Place of Greater Safety,” set in the French Revolution, in 1979. It was initially rejected by publishers — she was unknown, and the book, a historical novel, was over 700 pages long. But her second book, a contemporary novel published in 1985, became a critical success, and over the next decades she developed a cult following.

Yet Ms. Mantel did not achieve mainstream success until 2009, with “Wolf Hall,” the first in her trilogy of books about Cromwell, the son of a blacksmith who ended up becoming one of Henry VIII’s most trusted assistants. That novel began with a shocking scene: A teenage Cromwell lying in a pool of his own vomit, having been beaten by his father. Soon, Cromwell decides to make a different life for himself and embarks on a path toward power.

Janet Maslin, in a review for The New York Times, called it an “arch, elegant, richly detailed biographical novel.”

“Her book’s main characters are scorchingly well rendered,” Maslin added. “And their sharp-clawed machinations are presented with nonstop verve in a book that can compress a wealth of incisiveness into a very few well-chosen words.”

In a 2020 interview with The New York Times, Ms. Mantel said she had become fascinated with Cromwell after learning in high school about his role in dissolving Britain’s monasteries. Yet when reading novels about him, she saw he was presented as an odious stereotype. “I realized that some imaginative work is due on this man,” she said.

Cromwell became the dominant figure in her trilogy, which followed him as he transformed into one of the most powerful figures in Britain, only to then lose the king’s favor — and his head. “I’m not going to meet another Thomas Cromwell, if you think how long he’s been around in my consciousness,” Ms. Mantel said in the 2020 interview.

Ms. Mantel did not just reawaken readers to Cromwell’s life in her novels; she also helped bring him to the stage in a series of award-winning plays and also a BBC TV series. She co-wrote the stage adaptation of the final book in the trilogy, “The Mirror and the Light,” with Ben Miles, the actor who played Cromwell.

John Lamparski/WireImage, via Getty Images

The trilogy was translated into 41 languages and sold more than five million copies worldwide, and helped rehabilitate Cromwell’s image by presenting him as a brilliant and revolutionary strategist. “Hilary has reset the historical patterns,” Diarmaid MacCulloch, an Oxford theology professor and author of a Cromwell biography, told The Times in 2020.

Even after she rose to prominence, Ms. Mantel never became a fixture in London’s literary scene. She led a quiet life in Budleigh Salterton, a village on the coast of Devon where she and her husband mostly kept to themselves and she focused on her writing.

She could be sharp-witted and iconoclastic in her views, and didn’t fear stirring controversy with her irreverent attitude toward British politics and royalty. She was attacked by the tabloids for remarks she made during a lecture at the British Museum in 2013, when she compared Kate Middleton, the Duchess of Cambridge, to “a shop-window mannequin” with no personality. She drew the ire of conservative British politicians over a short story she wrote that imagined a planned assassination of Margaret Thatcher.

Still, despite her skepticism of pomp and the political establishment, she was a national icon. In 2015, Prince Charles anointed Ms. Mantel with the title of Dame Commander, Order of the British Empire, the equivalent of knighthood.

Andrew Testa for The New York Times

Ms. Mantel is survived by her husband, Mr. McEwen, Mr. Hamilton said. The couple did not have any children. She is also survived by a younger brother, according to Mr. Hamilton.

After completing the Cromwell trilogy, Mantel described the process as “absolutely grueling,” and said she didn’t feel she had the stamina to undertake another big historical fiction project. Instead, she planned to focus on a new medium — plays.

Her agent, Mr. Hamilton, said that Mantel was working on at least one play and had various works in different stages of completion, but there is “no novel or nonfiction book that could ever be published.”

“It’s highly unlikely that anything left incomplete would see the light of day,” he said.

In one of her final interviews, published Sept. 10, Ms. Mantel was asked if she believed in an afterlife. She did, she told The Financial Times, although she couldn’t imagine how it might work. “However, the universe is not limited by what I can imagine,” she said.

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Vince Gilligan's New Paranormal Drama Will Star Better Call Saul Star, Premiere on Apple TV - IGN

Following the success of Breaking Bad and Better Call Saul, Apple TV+ has nabbed the rights to creator Vince Gilligan’s next TV series, giving it a two-season straight-to-series order. What’s more, Gilligan has cast Saul’s Rhea Seehorn to lead his next show.

As reported by Deadline, Gilligan’s next show will be a “blended, grounded genre drama” that was previously described as something closer to The Twilight Zone than his Southwest crime dramas.

Seehorn, who played attorney Kim Wexler in Better Call Saul, has been cast as the lead in Gilligan’s untitled series. Gilligan will also serve as showrunner and executive producer on the show.

The Biggest New TV Shows and Seasons Coming in 2022

Gilligan’s follow-up to Breaking Bad and Better Call Saul was highly-anticipated according to Deadline with 8-9 networks lining up to hear the pitch. The series is set to have a high budget and have “significant genre elements,” though Gilligan did not share specifics about the project.

However, he did reveal that Seehorn will play a traditional hero. “After 15 years, I figured it was time to take a break from writing antiheroes… and who’s more heroic than the brilliant Rhea Seehorn?” Gilligan says. “It’s long past time she had her own show, and I feel lucky to get to work on it with her.”

Seehorn earned an Emmy nomination for her portrayal of Kim Wexler in Better Call Saul, a top lawyer who eventually gets tangled up with Jimmy McGill/Saul Goodman which will end up altering both their lives forever.

You can find out about her fate on the show in our Better Call Saul finale review. No other details about Gilligan’s show regarding premise, or release window were announced.

Matt T.M. Kim is IGN's News Editor. You can reach him @lawoftd.

Blogroll Credit: AMC, Sony Pictures Television

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Box Office: Michael B. Jordan’s ‘Creed III’ Grabs Title With Series-Best $51M Opening - Hollywood Reporter

Director-actor Michael B. Jordan ’s Creed III is a box office champ. If early estimates hold, the movie is on course to open to a better...

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