(CNN)Tom Parker, a member of the British boy band The Wanted, has died less than two years after he announced his diagnosis of inoperable brain tumor. He was 33.
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(CNN)Tom Parker, a member of the British boy band The Wanted, has died less than two years after he announced his diagnosis of inoperable brain tumor. He was 33.
Chris Rock has yet to publicly address being slapped by Will Smith during the 94th annual Academy Awards ceremony on Sunday. Fans are banking on the chance that could change Wednesday night.
Rock is set to perform two back-to-back shows at the Wilbur Theatre in Boston, and the anticipation has sent second-market ticket sales soaring, according to social media posts and resell websites.
StubHub, a ticket exchange and resale company, said it saw 25x the daily sales for Rock's shows in the days following the Oscar incident, exceeding cumulative sales for the comedian's tour during the entire month of March.
"At this stage in his tour, on an average day, we'd expect to see a spike in sales in the 24 or 48 hours prior to a show date as last-minute sales roll in – but it is incredibly unusual to see the spike we have experienced," Mike Silveira, a spokesperson for StubHub said in a statement to CNBC.
The jump in sales was first reported by The Hollywood Reporter.
There are more than a dozen tickets to Rock's Wednesday shows up for sale on StubHub, with prices ranging from $444 per ticket to $1,705. To be sure, those are just asking prices — it's unclear if anyone will purchase seats at those levels.
Users reported on social media that ticket prices soared from as low as $40 from before the incident to the triple-digit price tags after the altercation.
Ticket marketplace TickPick said Monday it sold more tickets to see Rock overnight after the slap than it did in the past month combined.
TickPick has three tickets currently available for the 7:30 show and four up for sale for the 10:00 show. Prices range from $800 to $1,100 each.
Ticketmaster's website says both the 7:30 pm and 10:00 pm shows are sold out. Meanwhile, Vivid Seats currently has four tickets for the 10:00 pm show, with two listed for $768 and two listed for $966.
The Wanted's Tom Parker Dies at 33 After Cancer Diagnosis: 'He Fought Until the Very End,' Says Wife
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Article From & Read More ( The Wanted's Tom Parker Dies at 33 After Cancer Diagnosis: 'He Fought Until the Very End,' Says Wife - PEOPLE )Los Angeles sheriffs were seen visiting the home of Will Smith Tuesday, two days after the actor slapped Chris Rock on-stage during the 2022 Oscars.
Officers were spotted driving into the gates of the Smiths Calabasas mansion in a marked patrol car at 2:40 p.m. Tuesday, Splash News reported as they snapped photos of the police vehicle.
Deputy Lizette Salcon, a spokesperson for the Los Angeles County Sheriff’s Department, told Page Six that police arrived after someone reported a drone flying through the ritzy neighborhood, but did not confirm if the Smiths called in the complaint, or another neighbor close by.
“We just sent that unit over there to try to locate the drone and see if there was a paparazzi or what was going on,” Salcon told us, “but when the deputies got there, they weren’t able to locate the drone. It had already left the area.”
While Rock, 57, has decided not to press charges, many have wondered if the “King Richard” actor, 53, would face legal consequences for physically attacking the comedian over a G.I. Jane joke aimed at Smith’s wife, actress Jada Pinkett Smith — who suffers from hair loss condition alopecia.
“The [Los Angeles] city attorney could bring charges based upon the evidence without necessarily relying upon the victim,” Steve Cooley, the Los Angeles County District Attorney from 2000 to 2012, told The Post Tuesday.
“The victim does not control whether or not a prosecutor should file charges,” Cooley continued, “However, charges actually can and should be filed because the offense was against the state of California. It’s not Chris Rock versus Will Smith in a criminal matter. The LAPD and the city attorney should not close the door on what was an obvious criminal offense and is easily provable.”
Will apologized to Rock via Instagram Monday evening, sharing, “Jokes at my expense are a part of the job, but a joke about Jada’s medical condition was too much for me to bear and I reacted emotionally.
“I would like to publicly apologize to you, Chris. I was out of line and I was wrong. I am embarrassed and my actions were not indicative of the man I want to be. There is no place for violence in a world of love and kindness.”
Jada was brief in her public reaction to the incident, simply sharing, “This is a season for healing and I’m here for it,” via Instagram.
Rock has yet to respond to the hoopla surrounding the evening, while The Academy has expressed its disappointment in the “Hitch” star and will be moving forward with an investigation.
“The Academy condemns the actions of Mr. Smith at last night’s show,” the organization wrote in a statement shared via social media on Monday.
“We have officially started a formal review around the incident and will explore further action and consequences in accordance with our Bylaws, Standards of Conduct and California law.”
Reps for Smith and Rock have yet to return our request for comment.
Article From & Read More ( Sheriffs visit Will Smith's home after star slaps Chris Rock - Page Six )Following Sunday’s 94th Academy Awards, outrage over the Oscars controversy hasn’t subsided.
No, I’m not referring to THAT one, which is also unlikely to die down anytime soon. I’m referring to the one that began more than a month ago, over the Academy’s decision to present eight awards before the live telecast of the Oscars and add edited excerpts from their speeches into the broadcast.
After hearing from the winners backstage on Sunday — as well as nominees, past winners and other Academy members who watched from the affected categories — The Hollywood Reporter was hard pressed to find one that has something positive to say about the way in which this was handled.
“I hope you are hiding in shame and regret today,” wrote Oscar winning rerecording mixer Paul Massey in an email that he says he sent to Academy president David Rubin on Monday. “That was truly the WORST Oscar show ever to go on air. Fat, bloated, with no directive to keep it within three hours as we in the eight pre-recorded categories were promised. We were excluded for no reason.”
Massey, who this year received his 10th nomination, for No Time to Die, continued in his assessment of the show: “Full of over-indulgent intros with no regard for the talent that makes up the membership of the Academy … except for those truly above the line. The class system has NEVER been on such display as it was last night.”
The Academy did not comment for this piece.
In the controversy leading up to Sunday’s Oscars, the format change was attributed to a need to shake up the show. The 2021 ceremony was the lowest-rated Oscars telecast ever, with just 10.4 million viewers, which because of COVID-19 was a scaled-down event at Union Station in downtown Los Angeles. This year’s show did better. The ABC broadcast drew 16.62 million viewers as it returned to Hollywood’s Dolby Theatre, though it was the second-lowest rated show since Nielsen began tracking total viewers in the 1970s. Before 2021, each year’s ratings had topped 20 million.
The preshow message about the format change was that the 2022 Oscars had to control its length, but the telecast ultimately ran 3 hours and 40 minutes.
“The purpose as explained to us was to ensure that the show ran three hours, and that categorically went completely wrong,” said a nominee whose category wasn’t presented live. “My hope is the Academy has a major overhaul.”
Another Academy member, who has been Oscar nominated in previous years, said they were concerned going into the show that the telecast plan “seemed very disrespectful to many of the nominees and winners.”
“It turned out even worse,” said this Academy member, who noted the show ran over its goal time. “And they still couldn’t fit in the whole 45-second acceptance speeches in the eight excluded categories.”
Backstage on Sunday, multiple winners were critical of the format, including Dune film editor Joe Walker, who pointed out the irony that his Oscar acceptance speech was edited — the beginning, the middle and the end. “We understand the pressure on the Academy,” Walker said, adding, “We all stand together in the Academy with equal strength, and I feel strongly that that was a disservice.” Jenny Beavan, who collected an Academy Award for costume design for Cruella during the live show, said, “I think it felt cheating on the people.” And Alberto Mielgo, director of Oscar-winning animated short The Windshield Wiper, added, “I hope this is the last year they do that.”
After the show, it didn’t take long for the chorus of disapproval to spread. On Monday, Frank Oz said in a tweet, “After being a member for 30 years I’m embarrassed to be associated with the Oscars telecast. Not because of ‘The Slap’ but because of the phoniness of the show. All I sense is a desperate attempt to get more viewers by any means possible, not a show about the love of making movies.”
During a press conference held last week, Oscars producer Will Packer asserted, “We want to make sure that everybody has their moment on this show, and is handled with the same reverence and elegance that you’ve come to expect with the Oscars.” And on Monday he tweeted: “I’m so damn proud of this show!!! I’m grateful for all the appreciation, support and critiques. The LOVE has been overwhelming. It was a true honor and pleasure to take on this responsibility. @ShaylaCowan and I wanted an OSCARS that looked and felt different than any before it…”
But sources in the affected branches tell THR the way the eight categories were edited into the live broadcast felt clumsy and rushed.
“Joe Walker’s acceptance speech was truly witty and pointed in its full-length form, but not in the truncated version,” said an Oscar winner from a previous year. “The shortened categories seemed clumsily edited and hastily stuffed into the show. Better than last year — an easy target — and maybe the best in the last 10 years, but still a stinker. The Academy must find a new way to finance itself and get out from under the thumb of ABC/Disney.” (The Academy receives a licensing fee of around $100 million-plus for the show, plus a piece of advertising, sources say.)
“It was cumbersome, not smooth,” added a prior Oscar recipient from another branch. “It used to be a celebration of all aspects of moviemaking … They were abrupt; there was no chance to focus on what the award meant.”
A nominee in an affected branch pointed out that those — like themselves — who were seated for the so-called “golden hour” awards were in place by 4 p.m., an hour before the live broadcast began, and were “exhausted from the length of the show … Everyone was so fed up by the end.”
As first reported in The Hollywood Reporter, prior to Sunday, Oscar-winning sound vet Tom Fleishman resigned his Academy membership over the decision to present the categories before the live broadcast, and four-time sound mixing nominee Peter Kurland said he intends to step down, while two recent Academy Award winners told THR that they were considering similar moves.
“This wasn’t the Academy Awards,” another Academy member told THR on Monday. “If this is going to be the new format, at that point I would have to give thought to if I want to stay in the Academy. A lot of people are thinking the same thing.”
Looking ahead, on Wednesday, a full meeting of the Academy’s board of governors is scheduled, though the Will Smith/Chris Rock incident is expected to be the main topic. Later, another board meeting is expected to include a full postmortem on the Oscars. This summer, the Academy will elect a new president, as Rubin has termed out, and a new CEO to replace the outgoing Dawn Hudson.
Massey concluded in his email to Rubin: “This awards season, your actions along with Dawn Hudson’s and the rest of the so-called ‘leadership’ have caused great damage to what was once heralded as a great institution — one to be held in high regard. Well, no more — I am ashamed to be an Academy member, a nominee in a second-tier category (sound), having to explain your misguided decisions and actions to those outside of the industry. Shame on you — you’re leaving the Academy in shambles.”
Article From & Read More ( Academy Members Blast “Disrespectful,” “Clumsily Edited” Presentation of 8 Oscars - Hollywood Reporter )The Oscars audience swelled by more than half a million people on Sunday shortly after Will Smith slapped Chris Rock, capping the awards show with a late-night surge.
At 10:27 p.m., Mr. Smith attacked Mr. Rock after the comedian delivered a joke onstage about Mr. Smith’s wife, Jada Pinkett Smith. Nearly 17.4 million viewers were watching in the minutes after the slap, up from 16.8 million shortly before it, according to Nielsen data released by ABC.
Mr. Rock, who was presenting an award, had taken a jab at the close-cropped hair of Ms. Pinkett Smith, who has alopecia, a condition that leads to hair loss. Mr. Smith walked onto the stage, struck Mr. Rock, and then returned to his seat and loudly demanded, using expletives, that the comedian refrain from talking about Ms. Pinkett Smith. Mr. Smith’s words, as well as Mr. Rock’s responses, were silenced during the broadcast, leaving many viewers struggling to understand what had happened and speculating whether the incident was scripted. (It was not.)
Until that point, viewership had been tailing off. The largest audience measured by Nielsen came earlier in the night, when nearly 17.7 million people watched Troy Kotsur, the first deaf man to win an acting Oscar, deliver a heartfelt acceptance speech for his supporting role in “CODA.”
Viewership dropped off quickly after the attack, but then surged again during the period when Mr. Smith, who was the heavily favored front-runner in the best actor race, returned to the stage to claim the award for his role in “King Richard.” About 17.4 million people watched his speech, according to the Nielsen data.
On Monday, Mr. Smith apologized for his actions. Earlier that day, the Academy of Motion Picture Arts and Sciences said it was conducting a formal review of the incident.
Overall, the Oscars drew 16.6 million viewers, around 4.9 million of them 18 to 49 years old, according to Nielsen. The audience was 58 percent larger than the all-time low of 10.4 million people who watched last year, but was still by far the second smallest viewership on record. ABC said that the Oscars drove 22.7 million interactions on social media, a 139 percent increase over last year’s broadcast.
(CNN)Foo Fighters have announced they are canceling their upcoming tour performances, citing the recent death of the group's drummer Taylor Hawkins.
(CNN)Jada Pinkett Smith posted a message on her verified Instagram account Tuesday, her first since her husband Will Smith slapped Chris Rock at the Oscars for joking about her.
Sunday night’s Will Smith incident at the 2022 Oscars will not be fading away quietly.
A full meeting of the Academy’s Board of Governors has been called for Wednesday evening, where the matter of Smith slapping presenter Chris Rock onstage at the ceremony is expected to be topic number one, The Hollywood Reporter has learned exclusively.
The decision comes just hours after the officers of the Academy’s Board of Governors — including president David Rubin and CEO Dawn Hudson — convened Monday for an emergency phone call about the incident. Shortly thereafter, the Academy issued a statement declaring: “The Academy condemns the actions of Mr. Smith at last night’s show. We have officially started a formal review around the incident and will explore further action and consequences in accordance with our Bylaws, Standards of Conduct and California law.”
The first post-Oscars board meeting always features a postmortem of the ceremony and addresses issues which arose during the show but does not usually happen this soon after the ceremony.
Some sanction of Smith is likely to come — perhaps a suspension of his Academy membership, as some members are calling for, but, in all likelihood, not the revocation of his best actor Oscar, as others would like to see. (Even Harvey Weinstein and Roman Polanski‘s Oscars were never rescinded.)
Whoopi Goldberg, a member of the Board of Governors who’s also an Oscar winner and former host, said as much on The View on Monday: “We’re not going to take that Oscar from him. There will be consequences I’m sure, but I don’t think that’s what they’ll do.”
During Sunday night’s live telecast, Smith, in response to a joke aimed at his wife Jada Pinkett Smith, slapped Rock while he was onstage in one of the most shocking moments in the history of the awards show.
The comic made a G.I. Jane joke about Pinkett Smith, who has a shaved head (the actress has alopecia).
When Smith returned to his seat, Rock marveled to the audience that “Will Smith just smacked the shit out of me.” Once back in his seat, Smith yelled to Rock, “Keep my wife’s name out of your fucking mouth!”
When Rock told Smith, “Wow, dude, it was a G.I. Jane joke,” Smith repeated himself.
The expletives were censored for U.S. audiences, but were shared unedited on social media. Shortly after, Smith was named best picture winner for King Richard and while receiving his first-ever Oscar, he apologized to the Academy and his fellow nominees; he did not, however, mention Rock.
After the show, the Academy tweeted a statement, saying it “does not condone violence of any form.”
Smith and Rock attended separate afterparties — with Smith saying it’s been a “beautiful night” while dancing at the Vanity Fair Oscar party; Rock was spotted at Guy Oseary’s afterparty. The Los Angeles Police Department confirmed that Rock declined to file a police report.
Producer Will Packer, taking to Twitter on Monday, called the moment “very painful moment for me. On many levels.”
Article From & Read More ( Academy “Condemns” Will Smith, Sets Full Board of Governors Meeting After Chris Rock Oscars Incident - Hollywood Reporter )(CNN)Troy Kotsur made history at the 2022 Oscars, becoming the first deaf performer to win an Academy Award in the best supporting actor category for his role in "CODA."
Sandra Bullock and Channing Tatum’s screwball romantic comedy “The Lost City” collected $31 million at North American theaters over the weekend, a promising sign that Netflix hasn’t completely seized on the meet-cute market.
Of course, Paramount, which is behind “The Lost City,” did not rely only on positive reviews — or the tease of Tatum’s bare behind — to fuel ticket sales. The on-screen chemistry between Bullock and Tatum, who were inescapable on social media, billboards and in trailers while promoting the film, were key in getting audiences to cinemas.
That’s a huge accomplishment in an era where familiar franchises have been dictating commercial success (at least, compared to the promise of A-list stars). At the same time, “The Lost City,” an original adventure that has been described as “Romancing the Stone” meets “Raiders of the Lost Ark,” indicates that romantic comedies haven’t entirely fallen out of favor with moviegoers. Even by pre-pandemic standards, “The Lost City” marks a strong start for the genre.
“This is an excellent opening,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “Romantic comedies have been in decline for a dozen years, well before the pandemic. The combination of big cast plus crowd-pleasing romance plus comedy plus adventure has worked before, and it’s working again.”
“The Lost City” cost $68 million, which is fairly expensive for a rom-com. But Bullock and Tatum get compensated handsomely to headline in movies, and filming the explosion-heavy “The Lost City” on location in the Dominican Republic during COVID-19 did not come cheap. That price tag does not include the serious coin spent to market the movie, which premiered at South by Southwest Film Festival in Austin earlier this month.
“This has exceeded any of my expectations,” said Chris Aronson, Paramount’s president of domestic distribution. “It’s great to see us and [Bullock and Tatum] rewarded for taking a risk.”
Aaron and Adam Nee directed “The Lost City,” an amorous action-adventure that takes place on a remote tropical jungle. The story follows perennial rom-com queen Bullock as Loretta Sage, a middle-aged author who gets kidnapped by an eccentric billionaire (Harry Potter himself Daniel Radcliffe, in a villainous role) in the hopes she can discover the ancient lost city’s treasure from her latest story. Brad Pitt also appears in a chaotic cameo.
Ticket buyers were mostly receptive to “The Lost City,” which landed a “B+” CinemaScore. Opening weekend crowds skewed 56% female, while 47% were 35 or older. That’s notable because adult audiences have mostly remained hesitant about going to the movies amid the pandemic.
“I think this movie has become the catalyst to move that demographic off the couch and into the theater,” said Aronson.
In a win for Paramount, “The Lost City” marks the studio’s third movie in 2022 to open in first place, following “Scream” and “Jackass Forever.” During the pandemic, Paramount largely stepped back from theatrical releases, instead selling titles like Aaron Sorkin’s courtroom drama “The Trial of the Chicago 7,” Eddie Murphy’s comedy sequel “Coming 2 America” and Michael B. Jordan’s action thriller “Without Remorse” to streaming services. Other than “A Quiet Place Part II,” which powered to nearly $300 million worldwide, the studio’s slate was propped up by kid-friendly animated adventures “Paw Patrol” and “Clifford the Big Red Dog.”
At the domestic box office, “The Lost City” took down reigning champion “The Batman,” which held the No. 1 spot for three weekends in a row. The Warner Bros. superhero adventure, starring Robert Pattinson, took in $20.5 million between Friday and Sunday, enough for second place. Those ticket sales, a 44% decline from last weekend, are strong considering the movie has already been playing in theaters for a month. So far, “The Batman” has generated $332 million in North America and $672 million globally.
In third place, the Indian war epic “RRR” — which stands for Roudram Ranam Rudhiram — had a robust start, grossing approximately $9.5 million from 1,200 North American theaters. That footprint marks one of the widest domestic rollouts for an Indian movie. “RRR,” which clocks in over three hours, cost $73 million to produce.
Another new release, Bleecker Street’s survival thriller “Infinite Storm” with Naomi Watts, flopped in its debut, pulling in a disastrous $751,296 from 1,525 screens. Given mixed reviews, the film — about a climber who gets caught in a blizzard and attempts to save herself and a stranded stranger before succumbing to the elements — doesn’t look like it’ll be able to rebound on the big screen.
“Infinite Storm” landed behind “Spider-Man: No Way Home,” which dropped to No. 8 in its 15th week of release. The latest Spidey adventure added another $2 million in North America, boosting domestic revenues to a mammoth $800.5 million. “No Way Home” is only the third movie in history to cross $800 million at the domestic box office, following “Avengers: Endgame” ($858 million) and “Star Wars: The Force Awakens” ($936 million).
Tom Holland’s video game adaptation “Uncharted” and Crunchyroll’s manga adaptation “Jujutsu Kaisen 0: The Movie” took spots four and five, respectively on box office charts.
In its sixth weekend of release, “Uncharted” brought in $5 million from 3,416 cinemas, boosting its North American tally to $133.5 million. Overseas, the big-budget tentpole added $7.7 million from 55 markets, taking “Uncharted’s” tally to $223 million internationally and $357 million globally.
“Jujutsu Kaisen 0,” a relatively under-the-radar anime film outside of a devoted fanbase, amassed $4.5 million from 2,430 locations. It’s a huge 73% decline in ticket sales from the movie’s $17.6 million debut. Still, “Jujutsu Kaisen 0” has earned a solid $27 million to date.
Elsewhere, A24’s action-adventure-comedy-fantasy-sci-fi mashup “Everything Everywhere All at Once” earned $509,659 from just 10 screens in New York, Los Angeles and San Francisco — translating to $50,965 per theater. It marks the biggest limited opening weekend of the year, as well as one of the best starts ever for A24, the studio behind beloved indies such as “Lady Bird,” “Moonlight” and “Uncut Gems.” The film will continue to expand to select markets on Friday before debuting nationwide on April 8.
Directed by Dan Kwan and Daniel Scheinert, the well-reviewed “Everything Everywhere All at Once” stars Michelle Yeoh as a wife and mother who exists in a multiverse, a term popularized by Marvel comic book adventures. The cast also includes Ke Huy Quan, Stephanie Hsu, Jenny Slate and Jamie Lee Curtis.
For the next few weeks, movie theater lobbies look to be busy. Sony’s dark comic book adventure “Morbius” is scheduled for April 1, followed by Paramount’s “Sonic the Hedgehog 2” and Jake Gyllenhaal’s action thriller “Ambulance” on April 8, and Warner Bros. “Fantastic Beasts: The Secrets of Dumbledore” on April 15. Then, Disney’s “Doctor Strange in the Multiverse of Madness,” Tom Cruise’s long-awaited sequel “Top Gun: Maverick” and “Jurassic World: Dominion” are slated to kick off — Hollywood hopes — a sizzling summer season.
“Right now, we like what we’re seeing at the box office,” said Franchise Entertainment Research’s Gross.
Article From & Read More ( Box Office: Sandra Bullock and Channing Tatum’s ‘The Lost City’ Takes Down ‘The Batman’ With $31 Million Debut - Variety )Sandra Bullock and Channing Tatum’s The Lost City opened to a better-than-expected $31 million domestically from 4,252 theaters in a significant win for the box office recovery.
Until now, males under the age of 35 have fueled the rebound, while titles depending upon older adults — particularly older females — have lagged.
Paramount’s Lost City, an action-packed romance adventure that’s a throwback to the era of Romancing the Stone, bucked that trend in a major way. Roughly 60 percent of Friday ticket buyers were female, while a whopping 47 percent were over 35.
The gender demo changed somewhat as the weekend went on, but females still led by 56 percent. The age breakdown stayed the same, meaning that nearly half of all ticket buyers were 35 and older.
The movie over-indexed everywhere west of the Mississippi, was at norm in the southeast and under-indexed in the northeast. Canada came in with a healthy 7.5 percent. Top markets that over-indexed included Salt Lake City, Phoenix, Denver, Tampa, Minneapolis, Portland, Kansas City, Indianapolis, Albuquerque, Honolulu and Oklahoma City. Top markets that under-indexed included New York, Chicago, Houston, Atlanta, Philadelphia and Boston.
“The Lost City has breathed theatrical life into the adventure-comedy-romance genre which has been somewhat scarce of late,” Paramount domestic distribution president Chris Aronson said. “A sensational opening!”
Daniel Radcliffe of Harry Potter fame also stars in the movie, which made its world premiere at the SXSW festival earlier this month.
Overseas, the film earned $3.7 million from its first 16 smaller-sized markets.
The Batman continued to fare nicely, earning $20.5 million to finish Sunday at $332 million domestically. It earned another $25 million overseas for a foreign tally of $340 million and $672.9 million worldwide, including a hefty $52.7 million from Imax theaters. One weak link is China, where numerous cinemas have closed amid a new surge in COVID-19 cases. Batman tumbled to $3.1 million in its second weekend for a China total of $17.9 million, according to Warners.
Indian action pic RRR made headlines in its North America debut, where it came in third with $9.5 million from 1,160 locations, a record for an Indian film. Distributor Sarigami is treating the movie as an event offering and is charging more for tickets.
Climbing adventure Infinite Storm (Bleecker Street), starring Naomi Watts, didn’t fare so well. The film opted to debut nationwide or in 1,525 locations. The Bleecker Street release opened to a dismal $751,296.
At the specialty box office, the acclaimed Everything Everywhere All at Once (A24), starring Michelle Yeoh, was a breakout hit with a weekend location average of $50,965 from 10 locations in New York, Los Angeles and San Francisco.
Mothering Sunday (Sony Pictures Classics), starring Odessa Young, opened in five cinemas. The film’s weekend per location average was $1,800 or thereabouts.
Among holdovers back in the top 10, Sony and Marvel’s Spider-Man: No Way Home still had plenty to boast more than three months after first opening in theaters. The superhero pic has became only the third film in history to cross the $800 million mark domestically, behind Avengers: Endgame ($858.4 million) and Star Wars: The Force Awakens ($936.7 million), not adjusted for inflation.
Spidey grossed $2 million for the weekend to finish Sunday with a domestic total of $800.5 million and $1.88 billion globally.
March 27, 7:40 a.m. Updated with revised estimates.
Article From & Read More ( ‘Lost City’ Unearths Female-Fueled $31M Opening in Big Win for Box Office Recovery - Hollywood Reporter )If you purchase an independently reviewed product or service through a link on our website, Footwear News may receive an affiliate commission.
Kim Kardashian sent kisses to the camera in her latest post to Instagram.
The social media star stood before some greenery and a pool, making a kissy face towards the camera on Saturday while sporting a silver puffer jacket with a metallic finish. Kardashian draped the coat over a sporty silver top with a reflective iridescent sheen. The cutout top had the active silhouette of wetsuit, giving the entire look a futuristic surfer girl vibe for the California native.
On the bottom, Kardashian opted for a pair of silvery-grey leggings that enhanced the body-conscious aesthetic. The look also played into the star’s signature style of monochromatic looks. The model, mogul and aspiring lawyer tends to play with textures while sporting a monochrome look to create a multi-layered ensemble with interesting pieces. The look is playful and futuristic, proving that silver is a solid color to incorporate into any outfit.
While her shoes weren’t visible in the Instagram post, it’s likely that Kardashian paired the look with a pair of matching silver footwear. The star’s preference for thigh-high boots might point to a pair in silver to go with the sporty, futuristic-surfer vibe.
Around the Kardashian’s neck is a custom-made necklace that reads “Kim” — a detail that takes the look to a whole new level. Made by jewelry designer Eric Mavani, the necklace is made with white diamonds and pink colored gemstones that sparkled in the California sunshine.
Beyond her outfit, Kim’s makeup was smokey and neutral as usual while her hair was parted down the middle and straightened. All the silver accents bring the look home. Kim gives a master class on monochrome, teaching us that a great way to pull off a look like that is to mix and match shades of a color to play with depth and perspective.
See how Kim Kardashian styles some PVC Pumps.
Article From & Read More ( Kim Kardashian Channels Her Inner Surfer Girl In A Head To Toe Silver Look and Custom Nameplate Jewelry - Footwear News )Sean Penn gives the Academy of Motion Pictures Arts and Sciences an ultimatum regarding Ukrainian President Volodymyr Zelensky ahead of the Oscars tomorrow. Penn, who took home the awards for Best Actor for the films Mystic River and Milk, told Acosta that the Oscars must have Zelensky on the program — otherwise, viewers and guests should boycott the ceremony.
“If it turns out to be what is happening, I would encourage everyone involved, though it may be their moment, and I understand that, to celebrate their films, it is so much more importantly their moment to shine, and to protest and to boycott that Academy Awards. I myself, if it comes back to it, when I return, I will smelt mine in public,” Penn said. “I pray that’s not what happened. I pray there have not been arrogant people who consider themselves representatives of the greater good who have decided not to check in with leadership in Ukraine. So I’m going to hope that’s not what happened, and I hope everyone walks out if it is.”
The actor is shooting a documentary for Vice about the Ukrainian/Russian conflict. He met with Ukraine President Volodymyr Zelensky this week. According to the Daily Mail, Penn also attended a government press briefing today as the country rallied itself against the attack. Zelensky previously posted a video on Instagram of the two together. He wrote in a caption: “The more people know about the war in the Ukraine, the higher the likelihood of stopping Russia!” Penn is now in Warsaw for safety reasons.
ICYMI: Actor Sean Penn says the Oscars should be boycotted if the ceremony’s planners have decided against having Zelensky on the program. pic.twitter.com/4LI2YIiKcD
— Jim Acosta (@Acosta) March 26, 2022
On March 25, The New York Post claimed that President Zelensky is in talks to appear at the Oscars but nothing has been confirmed. Other celebrities have rallied for his appearance on the show including Amy Schumer who mentioned the idea on The Drew Barrymore Show.
“I wanted to find a way to have Zelensky satellite in or make a tape or something, just because there are so many eyes on the Oscars,” Schumer said. “I think it’s a great opportunity to at least comment on a couple of things. I have some jokes that kind of highlight the sort of current condition.”
Article From & Read More ( Actor Sean Penn Threatens To Smelt His Oscars In Public If Ukrainian President Volodymyr Zelensky Is Not Invited To Speak At The Academy Awards - Deadline )LOS ANGELES (AP) — Taylor Hawkins, for 25 years the drummer for Foo Fighters and best friend of frontman Dave Grohl, has died during a South American tour with the rock band. He was 50.
There were few immediate details on how Hawkins died, although the band said in a statement Friday that his death was a “tragic and untimely loss.”
Colombia’s Prosecutor’s Office released a statement Saturday saying toxicological tests on urine from Hawkins’ body preliminarily found 10 psychoactive substances and medicines, including marijuana, opioids, tricyclic antidepressants and benzodiazepines. It did not provide a cause of death and investigations are continuing.
Foo Fighters had been scheduled to play at a festival in Bogota, Colombia, on Friday night. Hawkins’ final concert was Sunday at another festival in San Isidro, Argentina.
“His musical spirit and infectious laughter will live on with all of us forever,” said a message on the band’s official Twitter account that was also emailed to reporters. “Our hearts go out to his wife, children and family.”
The Bogota municipal government issued a statement Saturday that the city’s emergency center had received a report of a patient with “chest pain” and sent an ambulance, though a private ambulance had already arrived at the hotel in northern Bogota.
Health workers tried to revive him, but were unable to do so.
“It was a band I grew up with. This leaves me empty,” Juan Sebastian Anchique, 23, told The Associated Press as he mourned Hawkins outside the hotel.
The U.S. Embassy in Bogota also expressed its condolences in a tweet.
After Grohl, Hawkins was the most recognizable member of the group, appearing alongside the lead singer in interviews and playing prominent, usually comic, roles in the band’s memorable videos and their recent horror-comedy film, “Studio 666.”
Hawkins was Alanis Morissette’s touring drummer when he joined Foo Fighters in 1997. He played on the band’s biggest albums including “One by One” and “In Your Honor,” and on hit singles like “Best of You.”
In Grohl’s 2021 book “The Storyteller,” he called Hawkins his “brother from another mother, my best friend, a man for whom I would take a bullet.”
“Upon first meeting, our bond was immediate, and we grew closer with every day, every song, every note that we ever played together,” Grohl wrote. “We are absolutely meant to be, and I am grateful that we found each other in this lifetime.”
It’s the second time Grohl has experienced the death of a close bandmate. Grohl was the drummer for Nirvana when Kurt Cobain died in 1994.
Tributes poured out on social media for Hawkins.
“God bless you Taylor Hawkins,” Rage Against The Machine guitarist Tom Morello said on Twitter along with a photo of himself, Hawkins and Jane’s Addiction singer Perry Farrell. “I loved your spirit and your unstoppable rock power.”
“What an incredible talent, who didn’t also need to be so kind and generous and cool but was all those things too anyway,” tweeted Finneas, Billie Eilish’s brother, co-writer and producer. “The world was so lucky to have his gifts for the time that it did.”
At the festival where Foo Fighters had been scheduled to perform, news of the death leaked out slowly, said Diego Báez, a 33-year-old fan.
A concert organizer first announced the performance was cancelled for medical reasons. Minutes later, fans learned from social media of Hawkins’ death.
“Some cried. Others were sad, astonished, moved. It was a very powerful moment,” Baéz said.
A screen projected the words “Taylor Hawkins forever” while the song “My Hero” played.
Born Oliver Taylor Hawkins in Fort Worth, Texas, in 1972, Hawkins was raised in Laguna Beach, California. He played in the small Southern California band Sylvia before landing his first major gig as a drummer for Canadian singer Sass Jordan.
Hawkins told The Associated Press in 2019 that his early drumming influences included Stewart Copeland of The Police, Roger Taylor from Queen, and Phil Collins, who he said was “one of my favorite drummers ever. You know, people forget that he was a great drummer as well as a sweater-wearing nice guy from the ’80s, poor fella.”
When he spent two years in the mid-1990s drumming for Morissette, he was inspired primarily by the playing of Jane’s Addiction’s Stephen Perkins.
“My drums were set up like him, the whole thing,” Hawkins told the AP. “I was still sort of a copycat at that point. It takes a while and takes a little while to sort of establish your own sort of style. I didn’t sound exactly like him, I sound like me, but he was a big, huge influence.”
He and Grohl met backstage at a show when Hawkins was still with Morissette. Grohl’s band would have an opening soon after when then-drummer William Goldsmith left. Grohl called Hawkins, who was a huge Foo Fighters fan and immediately accepted.
“I am not afraid to say that our chance meeting was a kind of love at first sight, igniting a musical ‘twin flame’ that still burns to this day,” Grohl wrote in his book. “Together, we have become an unstoppable duo, onstage and off, in pursuit of any and all adventure we can find.”
Hawkins first appeared with the band in the 1997 video for Foo Fighters’ most popular song, “Everlong,” although he had yet to join the group when the song was recorded. He would, however, go on to pound out epic versions of it hundreds of times as the climax of Foo Fighters’ concerts.
In another highlight of the group’s live shows, Grohl would get behind the drums and Hawkins would grab the mic to sing a cover of Queen’s “Somebody to Love.”
“The best part of getting to be the lead singer of the Foo Fighters for just for one song is I really do have the greatest rock ‘n’ roll drummer on the planet earth,” Hawkins said before the song in a March 18 concert in Chile.
Grohl can be heard telling him to shut up.
Hawkins also costarred in Foo Fighters’ recently released film, “Studio 666,” in which a demonic force in a house where the band is staying seizes Grohl and makes him murderous. Hawkins and the other members of the band are killed off one by one. The premise came out of their work on their 10th studio album at a home in Los Angeles.
He also drummed and sang for the side-project trio Taylor Hawkins and the Coattail Riders. They released an album, “Get the Money,” in 2006.
Hawkins is survived by his wife Alison and their three children.
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Associated Press Writers Astrid Suarez and Manuel Rueda contributed to this report from Bogota, Colombia.
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Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton
Article From & Read More ( Foo Fighters drummer Taylor Hawkins dead at 50 - The Associated Press - en Español )Kim Kardashian took to social media Saturday to share one of several tattoos boyfriend Pete Davidson has dedicated to the mogul.
Kardashian 41, posted a photo of the comic’s “MY GIRL IS A LAWYER” tattoo to Instagram Saturday. It appears the tat is place slightly above his left clavicle.
During an appearance on “The Ellen DeGeneres Show” this month, the reality superstar revealed that the “SNL” funnyman has not just one, but multiple tattoos in her honor.
“He has a few tattoos, a few cute ones, that he got,” the Skims founder said. “My favorite one … says, ‘My girl is a lawyer.'”
Davidson also branded Kim’s name on his chest, so that even if they split, he’ll never forget his time spent with the aspiring attorney.
While the mother of four is not technically a lawyer just yet, she recently told Vogue Hong Kong that, “I dream of one day creating a successful law firm.”
She added that she “never worked so hard” on anything in her life as passing the California “baby bar” exam in December 2021.
“I had to be really diligent about studying and dedicated every spare minute I had to it,” she told the mag. “I’m very passionate about criminal justice reform, and I want to advocate for those who I feel they were wrongfully convicted.”
Kardashian passed the “baby bar,” formally known as the First-Year Law Students’ Examination, after failing the test three times.
“This wasn’t easy or handed to me. I failed this exam 3 times in 2 years, but I got back up each time and studied harder and tried again until I did it!!!” she shared in a post to Instagram in December after finally passing.
Article From & Read More ( Kim Kardashian shares Pete Davidson's 'MY GIRL IS A LAWYER' tattoo - Page Six )After three weeks of “The Batman,” the domestic box office has a new leader. “The Lost City,” starring Sandra Bullock and Channing Tatum, looks to claim the weekend’s top spot with a projected $30 million opening weekend.
Paramount’s adventure rom-com blasted off to $11.5 million from 4,253 locations on its opening day, after grossing $2.5 million in Thursday previews. It’s an impressive start for a release hailing from a genre that hasn’t had the best track record of getting audiences into theaters over the past few years. “Lost City” isn’t your typical rom-com though, boasting a grand jungle setting, a penchant for violence and a sense of scale that could’ve helped convince ticket buyers to perceive the release as an event worth attending.
In “The Lost City,” Bullock plays a romance novelist who is kidnapped by a billionaire (Daniel Radcliffe), who seeks to use her knowledge of an ancient language to find a treasure. Tatum plays the novelist’s hunky cover model who decides to rescue her.
Variety‘s Peter Debruge enjoyed the film, calling it “the kind of breezy two-hour getaway that doesn’t take itself too seriously, delivering screwball banter between Bullock and Tatum — a guilty-pleasure treasure hunt that pretends to be more progressive than it really is by alternating between who’s saving whom.” The film has been amicably received, earning a 76% approval aggregate from critics on Rotten Tomatoes and a “B+” rating on CinemaScore, indicating general approval from audiences. The film carries a sizable production budget of $68 million, so Paramount will keep its fingers crossed for solid word-of-mouth in the coming weeks.
Matt Reeves’ “The Batman” has held a tight grip on theaters for the past three weeks, generating a hefty fraction of domestic box office grosses since its release on March 4. The Warner Bros. release added an additional $5.5 million to its haul on Friday, dropping 49% from its previous Friday. Since debuting, the film has grossed an impressive $316 million from North American theaters to become the second-highest grossing release of the pandemic era. Internationally, the film has exceeded a gross of $600 million.
“The Batman” was an expensive operation for Warner Bros., carrying a production budget that ballooned to $200 million due to production delays during the COVID-19 pandemic. Even so, the DC adaptation starring Robert Pattinson is about as big as any movie could be at the box office, dwarfed only by the supermassive holiday release of “Spider-Man: No Way Home.”
The Indian epic “RRR” is also rocketing off to a healthy North American debut, landing in third place on domestic charts with $5.42 million from 4,517 locations. The Sarigami Cinemas release is expected to drawn $12 million to $15 million in grosses through Sunday — numbers which would make it the biggest ever stateside debut for an Indian film. “RRR”, from “Baahubali” maestro S.S. Rajamouli, had become one of the most eagerly anticipated Bollywood productions of recent years, even through several production and release delays due to the COVID-19 pandemic.
“RRR” stars N. T. Rama Rao Jr. and Ram Charan as two revolutionaries against the British Raj and Nizam of Hyderabad, respectively. The Telugu-Hindi production imagines a friendship between the parallel heroes.
Sony’s “Uncharted” is holding steady at the fourth place slot at the box office. The studio is projecting a $4.6 million gross for the Tom Holland vehicle, marking a 41% drop-off from its previous outing. Now in its sixth weekend, the video game adaptation has done solid business stateside. It should expand its domestic gross beyond $133 million through Sunday.
“Jujutsu Kaisen 0” will likely round out the domestic box offices top five. The anime film, released by Crunchyroll, took in $1.3 million on Friday from 539 locations, a near-vertical 85% drop-off from its opening day last weekend. “Jujustu Kaisen 0” serves as a prequel to the highly popular “Jujutsu Kaisen” series and likely drew a front-loaded box office performance due to enthusiasm among fans. Even so, the film should expand its domestic gross to $27.6 million through Sunday — an impressive figure that demonstrates the dedicated audience that anime draws in North America.
Article From & Read More ( ‘The Lost City’ Looks to Seize Box Office Crown From ‘The Batman’ With $30 Million Opening Weekend - Variety )Director-actor Michael B. Jordan ’s Creed III is a box office champ. If early estimates hold, the movie is on course to open to a better...